From the performances to the accents to the soundtrack, everything in Ridley Scott’s dynastic melodrama is all over the place.
For me, Spencer needed a little bit more depth to become memorable as a biopic, but it’s nonetheless and interesting if entirely fictional reconstruction of a character we all feel like we know.
Rebecca Hall excels in her firts outing as a director and a writer, eliciting great performances and a gorgeous photography.
With its bold aesthetic mysticism, The Green Knight reminded me why I loved my book of Arthurian myths when I was a kid.
Ridley Scott’s latest studies medieval misogyny from a uniquely modern perspective.
Quo Vadis, Aida? is a rough but necessary film detailing the circumstances around the Srebrenica genocide.
Monsoon is a rich character study, light in the narrative but deep in its themes of identity and grief.
With so much to criticize in real life, it is baffling that Blue Bayou spends more time in soapy melodrama than in a timely, specific denunciation whose foundations are certainly all right there.
I come to you with the rarest of findings: a three-hour movie that knows what to do with its time.
A rich and nuanced study of familial duty, class and disability, with coming-of-age tropes to spare.