End of the Century is not as impactful as it could have been, but it builds an evocative atmosphere that explores the road not travelled.
An enjoyable tale of friendship and longing with two immensely likable protagonists -weighed down by a messy last act.
What a joy to find movies such as this, a work of raw emotion and stunning beauty. You owe it to yourself to see And Then We Danced.
Consequences is a rough experience in a ruthless environment, but its regard is clear-eyed and energetic. It is a tale of survival in a violent, hypermasculine world.
For such a prolific director, Dolan isn’t always making the same film. Here he’s crafted a beautiful portrait of a fierce, messy friendship.
Quietly, slowly, Portrait of a Lady on Fire paints a lavish picture of love and friendship, as intellectual as it is passionate.
Even though it seems to run out of steam sometimes, Vita & Virginia is still a touching, if dispassionate, love story that does right by its subjects.
Antonio Banderas shines with an understated performance in Pain and Glory, a self-reflective study in nostalgia.
God’s Own Country is harsh, but it is also tender, and it’s all the more affecting because it finds hope and love not in a fairy tale but in a story that feels real and lived in. I am sorry I missed it when it came out, because I feel like I lost valuable time where I could have been thinking about it.
Booksmart is everything a teen comedy could ever aspire to be: it’s razor sharp, it’s quick on its feet, it’s full of love and tenderness, it’s original, it’s uplifting, and as if that wasn’t enough, yes, it is a comedy, and it’s hilarious. Olivia Wilde directed a treasure of a movie, and you cannot watch it soon enough.