Tenet is a fine action thriller, but it gets lost in the intricacies of its plot and becomes emotionless as a result.
As tense as it is atmospheric, The Devil All the Time offers inspired performances from Tom Holland and Robert Pattinson.
The kind of fun, genre studio fare that doesn’t get released in theaters anymore, #Alive is not revolutionary but does well enough with its premise.
House of Hummingbird is thought-provoking and touching in the way it follows its protagonist, but its value is marred by its sluggish pace and overly long runtime.
One of Kaufman’s most experimental works, this film is an intriguing trip that blurs the border between memory and reality.
Saint Frances’ greatest transgression is talking: talking about things that are commonplace in women’s lives but still seen as taboo, or uncouth.
Chastain is compelling and the action isn’t bad, but there isn’t a hint of originality to any aspect of Ava.
End of the Century is not as impactful as it could have been, but it builds an evocative atmosphere that explores the road not travelled.
A step backwards in horror that relies on its characters making all the wrong choices at exactly the wrong moments.
A deranged mix of crime and family drama, propped up by Mackay’s unblinking magnetism, fun and stylish when it’s at its best.