Ryan Coogler’s genius is that every part of this thrilling vampire movie also works to explore multiple overlapping themes.
Ryan Coogler’s genius is that every part of this thrilling vampire movie also works to explore multiple overlapping themes.
I laughed and laughed, and then I cried and cried.
Incredible work by Amy Adams, who carries a movie that doesn’t even need its main metaphor.
Kiyoshi Kurosawa deftly weaves strands of horror into an increasingly tense crime thriller.
A delightful comedy, full of heart and wit.
Godzilla Minus One would be a great movie even without the monster; with it, it becomes a fantastic disaster/kaiju movie with a poignant anti-war drama at its heart. Not to be missed!
Setting aside the academic discussion of whether Fury Road “needed” a prequel, Furiosa enriches the world of Mad Max while standing on its own as a fantastic action movie.
Hamaguchi keeps his style in an otherwise wholly original philosophical essay.
Rarely does such a dynamic movie offer so many layers to obsess over.
Drive-Away Dolls has all the elements of a classic Coen production: there is a crime, there are various characters moving on either side of the law, and absolutely nobody knows what they’re doing.