It was hard for me to engage with the specific in The Disciple, but the general is filled with universal emotions.
The Tragedy of Macbeth is so much my jam that if I didn’t know better I’d think it was made just for me. This is an endorsement as much as it is a warning, because it could very well be that everything that I like about this project is what puts you off.
A road movie that succeeds in building a compelling protagonist but falls short with his foil.
A harrowing denunciation of homophobia and violence in the army, too impersonal to fully land.
An interesting looks at the makings of classic TV comedy, marred by miscasts and an oddly dour mood.
Paul Schared is back with a film at once aesthetically austere and emotionally fraught.
for a blockbuster that could have been exploitative, or a cashgrab, or dull, Lana Wachowski made one that turned out to be, of all things, interesting, full of questions and choices that I am still mulling over in my head.
A coming of age summer in 1980s Naples, which works better as a slice of life comedy than as a drama.
While not free from Marvel burdens like muddy CGI or setups for other films, No Way Home is everything I wanted it to be and does justice to the Spider-Man films that came before it.
I was absorbed by each of these three languid, dialogue-driven stories of romance and regret.