Blue Giant, while not without its ups and downs, is carried by its music and animation.
Blue Giant, while not without its ups and downs, is carried by its music and animation.
Ex-Husbands is discreet in its study of paternal and filial relations, but no less clear-eyed because of it.
Godzilla Minus One would be a great movie even without the monster; with it, it becomes a fantastic disaster/kaiju movie with a poignant anti-war drama at its heart. Not to be missed!
Setting aside the academic discussion of whether Fury Road “needed” a prequel, Furiosa enriches the world of Mad Max while standing on its own as a fantastic action movie.
Hamaguchi keeps his style in an otherwise wholly original philosophical essay.
Rarely does such a dynamic movie offer so many layers to obsess over.
A self-reflective flight of fancy into a timeless world of unfulfilled love.
Drive-Away Dolls has all the elements of a classic Coen production: there is a crime, there are various characters moving on either side of the law, and absolutely nobody knows what they’re doing.
Is a heavy hand bad when it works?
It is so rare for a movie to deliver on a promise to the extent that Dune: Part Two does on everything the first part promised.