Glass Onion is everything you could ask of a sequel: bigger than the original, keeping the same charm that made it a hit, but innovating on the formula. It feels like a proper new chapter in an ongoing adventure, not a retread of the same story.

Glass Onion is everything you could ask of a sequel: bigger than the original, keeping the same charm that made it a hit, but innovating on the formula. It feels like a proper new chapter in an ongoing adventure, not a retread of the same story.
As inoffensive as it is unremarkable.
Triangle of Sadness has moments of genius and gags that will make you laugh out loud, but it’s difficult to recommend a movie so exhausting.
For better, and for worse, Ticket to Paradise is an old-fashioned Hollywood rom-com, relying on how much you miss the era it seems plucked out of.
A delightful comedy full of quirky characters, absurd situations, and explosions.
Not Okay is a thoroughly entertaining satire aimed straight at the shallow fame of the social media age, co-opting the aesthetics and addictive trappings of Instagram and Tiktok while taking them to task.
A tiresome gimmick, on a weak story, with performances that run from unremarkable to dreadful.
A weirdly displaced coming-of-age story weighed down by its author insert protagonist.
A Nicolas Cage movie as weird, fascinating, and unpredictable as Nicolas Cage himself.
Fire Island is the smartest, funniest, gayest rom-com you’ve seen in quite some time.