thriller. The second half… kind of goes downhill on autopilot.
It’s one thing to be silly. It’s another to be dumb.
A quirky horror comedy that mixes grisly murders, workplace humor, and lots of heart.
The kind of fun, genre studio fare that doesn’t get released in theaters anymore, #Alive is not revolutionary but does well enough with its premise.
A step backwards in horror that relies on its characters making all the wrong choices at exactly the wrong moments.
A high-concept horror that, while not entirely successful, is remarkable for sticking to its concept to the bitter end.
There’s material here for good horror, but it lost me along the way.
Bacurau starts as an intriging mishmash of genres and styles, but devolves into empty action and noise.
Leigh Whannell and Elisabeth Moss have teamed up to reinvent The Invisible Man as an effective representation of gaslighting and online abuse.
Deliberately, unabashedly ugly, The Lighthouse is not an easy watch, but a striking exercise in claustrophobia that is sure to leave a mark.