A Haunting in Venice doesn’t reinvent the genre nor perfect the distillation of it, but it remains a serviceable entry.
Author: Martin Towers
Passages (2023) – Movie Review
A hurricane of lust, betrayal, confrontations and reconciliations.
Godland (2023) – Movie Review
Godland did not work for me, despite its engrossing first half and the stunning beauty of its shots, but you might prove more patient or more open to the experience than me.
Red, White and Royal Blue (2023) – Movie Review
Turns out a derivative story and a production value that could be measured in voucher cards can still turn out a pretty fun rom-com.
Call Jane (2023) – Movie Review
¡En español! You know how some movies feel like reading a Wikipedia page, even if they’re perfectly okay? Air felt a bit like that to me, as entertaining as it was, and now Call Jane […]
More than Ever (Plus Que Jamais) (2023) – Movie Review
A difficult but sensitive reflection on the end of one’s life.
Barbie (2023) – Movie Review
I had the BEST time watching Barbie.
Oppenheimer (2023) – Movie Review
The key to embracing and appreciating the movie is understanding that it is a character study first, a biography second, and then only in a third a distant place a discussion about the American genocide in Hiroshima and Nagasaki.
Mission Impossible: Dead Reckoning Part One (2023) – Movie Review
¡En español! Mission Impossible is once again the perfect summer blockbuster: fun globe-trotting spy action with incredible practical stunts, made all the more impressive by contrast with the superhero garbage that seems now, finally, to […]
Aisha (2023) – Movie Review
If the film is powerful in its denunciation of this social reality, it is at the cost of the more personal story of its protagonist, who never quite comes into focus as her own person.
The Film Tower 