Godzilla Minus One would be a great movie even without the monster; with it, it becomes a fantastic disaster/kaiju movie with a poignant anti-war drama at its heart. Not to be missed!
Furiosa (2024) – Movie Review
Setting aside the academic discussion of whether Fury Road “needed” a prequel, Furiosa enriches the world of Mad Max while standing on its own as a fantastic action movie.
Evil Does Not Exist (2024) – Movie Review
Hamaguchi keeps his style in an otherwise wholly original philosophical essay.
Challengers (2024) – Movie Review
Rarely does such a dynamic movie offer so many layers to obsess over.
La Chimera (2024) – Movie Review
A self-reflective flight of fancy into a timeless world of unfulfilled love.
Drive-Away Dolls (2024) – Movie Review
Drive-Away Dolls has all the elements of a classic Coen production: there is a crime, there are various characters moving on either side of the law, and absolutely nobody knows what they’re doing.
All of Us Strangers (2024) – Movie Review
Is a heavy hand bad when it works?
Dune: Part Two (2024) – Movie Review
It is so rare for a movie to deliver on a promise to the extent that Dune: Part Two does on everything the first part promised.
The Father of the Milky Way Railroad (2023) – Movie Review
It’s hard to recommend a movie that swerves so wildly from Wikipedia article to TV drama, even with two great performances at its core. I will say that trapped in the confines of a trans-Atlantic flight, it made me cry like six times, so make of that what you will!
Priscilla (2024) – Movie Review
Between Baz Luhrmann’s Elvis (which I hated) and Sofia Coppola’s Priscilla (which I mostly liked), I think it’s time to prohibit biopics from involving the real subject or their descendants in their production.
The Film Tower 