I would love to see a two-hour cut of this movie, but even as it stands, I am in awe of its aesthetics, its overarching mood, and Robert Pattinson and Zoe Kravitz’s magnetic screen presence.

I would love to see a two-hour cut of this movie, but even as it stands, I am in awe of its aesthetics, its overarching mood, and Robert Pattinson and Zoe Kravitz’s magnetic screen presence.
I like Wes Anderson and I appreciate the work and care he’s put into this piece, but The French Dispatch left me cold.
All Day and a Night is less than the sum of its parts, a collection of tropes held together by clichés.