It’s fine for a legacy sequel, especially when it takes aim at billionaire capitalism, but still feels somewhat defanged.
It’s fine for a legacy sequel, especially when it takes aim at billionaire capitalism, but still feels somewhat defanged.
Made with largely improvised dialogue, this film could have been gimmicky, but turns out to be a subdued drama about broken friendships.
A conjuring of bland music, aggressively vacuous lyrics, paper-thin characters and a criminal sidetracking of Nicole Kidman.
Greta Gerwig has given new life and a sense of urgency to Little Women, making it feel timely and timeless.
Soderbergh’s latest tries to do many things but doesn’t stick around long enough to develop any of them. A stellar cast is mostly squandered with brief roles that don’t leave an impact.