Paul Schared is back with a film at once aesthetically austere and emotionally fraught.
Author: Martin Towers
The Matrix Resurrections (2021) – Movie Review
for a blockbuster that could have been exploitative, or a cashgrab, or dull, Lana Wachowski made one that turned out to be, of all things, interesting, full of questions and choices that I am still mulling over in my head.
The Hand of God (2021) – Movie Review
A coming of age summer in 1980s Naples, which works better as a slice of life comedy than as a drama.
Spider-Man: No Way Home (2021) – Movie Review
While not free from Marvel burdens like muddy CGI or setups for other films, No Way Home is everything I wanted it to be and does justice to the Spider-Man films that came before it.
Wheel of Fortune and Fantasy (Guzen to Sozo) (2021) – Movie Review
I was absorbed by each of these three languid, dialogue-driven stories of romance and regret.
Three Floors (Tre Piani) (2021) – Movie Review
Some thematic inconsistencies mar an otherwise competent character drama.
The Power of the Dog (2021) – Movie Review
A wonder of beauty and sentiment, also an emotional thriller that at times borders on psychological horror.
Beasts Clawing at Straws (2021) – Movie Review
Not quite the “normal people try crime, are terrible” Coen-brothers comedy that it could have been, but becomes fun enough by the end.
Last Night in Soho (2021) – Movie Review
thriller. The second half… kind of goes downhill on autopilot.
House of Gucci (2021) – Movie Review
From the performances to the accents to the soundtrack, everything in Ridley Scott’s dynastic melodrama is all over the place.
The Film Tower 