Greta Gerwig has given new life and a sense of urgency to Little Women, making it feel timely and timeless.
Greta Gerwig has given new life and a sense of urgency to Little Women, making it feel timely and timeless.
Marriage Story is delicate and painful, tender and heartbreaking all at the same time, and in its messy complexity it feels true to life.
Les Miserables is a powerful film, one that speaks many different truths and does not pretend to have easy solutions.
The Irishman is the ultimate gangster movie; not necessarily the best, but certainly definitive, with the dramatic weight of a life long lived.
The King is dispassionate, and sometimes drab, but it keeps Shakespeare’s insight and recreates his literary style.
Soderbergh’s latest tries to do many things but doesn’t stick around long enough to develop any of them. A stellar cast is mostly squandered with brief roles that don’t leave an impact.
For such a prolific director, Dolan isn’t always making the same film. Here he’s crafted a beautiful portrait of a fierce, messy friendship.
Joker is gripping and Joaquin Phoenix is phenomenal in it, but it puts its efforts in contextualizing violence without then having anything to say about it.
Quietly, slowly, Portrait of a Lady on Fire paints a lavish picture of love and friendship, as intellectual as it is passionate.
Deux Moi is a tender exploration of mental health and loneliness, a story that stays away from melodrama in favor of nuance.