I would love to see a two-hour cut of this movie, but even as it stands, I am in awe of its aesthetics, its overarching mood, and Robert Pattinson and Zoe Kravitz’s magnetic screen presence.
West Side Story (2021) – Movie Review
While it is, for better or worse, the same old story, West Side Story is a cinematic spectacle bursting with color and joy.
King Richard (2022) – Movie Review
Despite a wholly uncritical, corporate PR tone, King Richard is an effective biopic.
The Lost Daughter (2022) – Movie Review
The Lost Daughter, in its normalcy, feels as tense as a thriller because anything could happen, anytime. Watch it for the atmosphere, or the performances, or the story, but don’t let it pass you by.
Kimi (2022) – Movie Review
Zoe Kravitz is the perfect heroine for this fun, compact tech thriller.
Petite Maman (2021) – Movie Review
A moving tale of childhood.
Nightmare Alley (2021) – Movie Review
Half gothic horror, half swanky noir, Nightmare Alley is a lot of cinema. It is written to fit together like clockwork, designed and shot to look like the best classics.
Belfast (2021) – Movie Review
All the accolades will make you think there must be something about Belfast. I suggest you look elsewhere.
The Disciple (2021) – Movie Review
It was hard for me to engage with the specific in The Disciple, but the general is filled with universal emotions.
The Tragedy of Macbeth (2022) – Movie Review
The Tragedy of Macbeth is so much my jam that if I didn’t know better I’d think it was made just for me. This is an endorsement as much as it is a warning, because it could very well be that everything that I like about this project is what puts you off.
The Film Tower 