A coming of age summer in 1980s Naples, which works better as a slice of life comedy than as a drama.
A coming of age summer in 1980s Naples, which works better as a slice of life comedy than as a drama.
While not free from Marvel burdens like muddy CGI or setups for other films, No Way Home is everything I wanted it to be and does justice to the Spider-Man films that came before it.
I was absorbed by each of these three languid, dialogue-driven stories of romance and regret.
Some thematic inconsistencies mar an otherwise competent character drama.
A wonder of beauty and sentiment, also an emotional thriller that at times borders on psychological horror.
Not quite the “normal people try crime, are terrible” Coen-brothers comedy that it could have been, but becomes fun enough by the end.
thriller. The second half… kind of goes downhill on autopilot.
From the performances to the accents to the soundtrack, everything in Ridley Scott’s dynastic melodrama is all over the place.
Despite such a bland direction, Tick Tick… Boom is worth a watch for Andrew Garfield’s energetic performance.
For me, Spencer needed a little bit more depth to become memorable as a biopic, but it’s nonetheless and interesting if entirely fictional reconstruction of a character we all feel like we know.