Shadow (2018) – Movie Review

Shadow is not terrible, but when a director of Zhang Yimou’s stature makes a boring movie, it still feels like a misfire.

The Invisible Man (2020) – Movie Review

Leigh Whannell and Elisabeth Moss have teamed up to reinvent The Invisible Man as an effective representation of gaslighting and online abuse.

The Last Thing He Wanted is a jumbled mess that starts out as a journalism story, shifts into a thriller, and doesn’t commit to either premise.

Watching The Nightingale is a harrowing experience. It for sure makes an impact, but its lingering misanthropy reduces its value.

Deliberately, unabashedly ugly, The Lighthouse is not an easy watch, but a striking exercise in claustrophobia that is sure to leave a mark.

Queen & Slim is a moody film with superb photography, even if sometimes it is weighed down by its own style.

Sometimes Just Mercy gets lost in the abstract; it is at its strongest when it is angry.

Horse Girl starts out well enough, as a seemingly thoughtful character study, but quickly gets lost in sophomoric conspiracy theories.

Uncut Gems stressed me out, in the best possible way.

Judy is a mostly by-the-numbers biopic, propelled by a star performance, with not much to say.