Double Tap is such a direct sequel to Zombieland that it seems barely a year has passed. Gone are the surprise and the edge, but there’s enough left to pass the time.
Marriage Story (2019) – Movie Review
Marriage Story is delicate and painful, tender and heartbreaking all at the same time, and in its messy complexity it feels true to life.
Les Miserables (2019) – Movie Review
Les Miserables is a powerful film, one that speaks many different truths and does not pretend to have easy solutions.
The Irishman (2019) – Movie Review
The Irishman is the ultimate gangster movie; not necessarily the best, but certainly definitive, with the dramatic weight of a life long lived.
The King (2019) – Movie Review
The King is dispassionate, and sometimes drab, but it keeps Shakespeare’s insight and recreates his literary style.
Knives Out (2019) – Movie Review
Knives Out has a smart script, a brilliant cast, and a humor as sharp as its title suggest. It is not the whodunit you expect; it is better.
The Laundromat (2019) – Movie Review
Soderbergh’s latest tries to do many things but doesn’t stick around long enough to develop any of them. A stellar cast is mostly squandered with brief roles that don’t leave an impact.
Terminator: Dark Fate (2019) – Movie Review
What I wanted from Dark Fate was to see Linda Hamilton being badass in the most bitter, gritty fashion possible, and in that regard the movie delivers.
Matthias & Maxime (2019) – Movie Review
For such a prolific director, Dolan isn’t always making the same film. Here he’s crafted a beautiful portrait of a fierce, messy friendship.
Kathy Griffin: A Hell of a Story (2019) – Movie Review
Aptly titled, A Hell of a Story shows a different Kathy Griffin, one that has weathered a harrowing ordeal and come out of it with truths to tell.
The Film Tower 