The Lost Daughter, in its normalcy, feels as tense as a thriller because anything could happen, anytime. Watch it for the atmosphere, or the performances, or the story, but don’t let it pass you by.
Author: Martin Towers
Kimi (2022) – Movie Review
Zoe Kravitz is the perfect heroine for this fun, compact tech thriller.
Petite Maman (2021) – Movie Review
A moving tale of childhood.
Nightmare Alley (2021) – Movie Review
Half gothic horror, half swanky noir, Nightmare Alley is a lot of cinema. It is written to fit together like clockwork, designed and shot to look like the best classics.
Belfast (2021) – Movie Review
All the accolades will make you think there must be something about Belfast. I suggest you look elsewhere.
The Disciple (2021) – Movie Review
It was hard for me to engage with the specific in The Disciple, but the general is filled with universal emotions.
The Tragedy of Macbeth (2022) – Movie Review
The Tragedy of Macbeth is so much my jam that if I didn’t know better I’d think it was made just for me. This is an endorsement as much as it is a warning, because it could very well be that everything that I like about this project is what puts you off.
The Man with the Answers (2021) – Movie Review
A road movie that succeeds in building a compelling protagonist but falls short with his foil.
Moffie (2021) – Movie Review
A harrowing denunciation of homophobia and violence in the army, too impersonal to fully land.
Being the Ricardos (2021) – Movie Review
An interesting looks at the makings of classic TV comedy, marred by miscasts and an oddly dour mood.
The Film Tower 