Night of the Kings transports us to a beguiling world of magical realism, tales as old as times, and shadowy plots for power or survival.
Night of the Kings transports us to a beguiling world of magical realism, tales as old as times, and shadowy plots for power or survival.
What draws me about CoMix Wave Films’ style is that it is an approach to art that is deliberately, intensely devoted to portraying the mundane over the extraordinary. Ugly backdrops are made beautiful by the care put into painting them.
Oxygen acquits itself well enough in its high-concept execution, even though the sci-fi setting ends up undermining the thriller part of it.
Shiva Baby is a tightly packed comedy that runs in, unleashes a perfect storm of social awkwardness and family judgment, and then runs out before you’ve had a chance to process what just happened.
Zack Snyder’s latest is a fun zombie heist action movie that gets exponentially dumber as it progresses.
Michelle Pfeiffer shines in a role that seems custom made for her, but the film is too languid to fully work as a comedy.
Someone asked the question “Can you make John Wick with Bob Odenkirk instead of Keanu?”, and the answer turns out be, oh yeah you can!
A fun slasher horror body swap comedy that doesn’t take itself too seriously.
A crime comedy that, while entertaining, gets lost in its overcrowded supporting cast.
If you’re gonna make a Mortal Kombat movie, you can’t do it halfway. This adaptation revels in the game’s excess and gore with infectious glee.