Synonymes is an interesting look at Parisian life through the eyes of a charismatic protagonist, but it loses its way towards the end.
Synonymes is an interesting look at Parisian life through the eyes of a charismatic protagonist, but it loses its way towards the end.
This, too, is what we go to the movies for: to be awed, to be shocked, to be engrossed by stories of space travel and insurmountable odds and valiant heroes. In that regard, Endgame really is something else.
Other directors would have made this story flashier, more sensational, but Marielle Heller correctly chose a more level-headed and introspective approach.
Boy Erased succeeds in using one person’s story to shed light on a large reality, and takes the chance to explore notions of identity, family and acceptance.
Brie Larson brought about a whimsical comedy for her directorial debut, and while the overall product is irregular it has its delights.
The less you know about Us, the better; trust that it is terrifying and brilliant, go, and suffer well.
Xavier Dolan’s first English-language film is an intriguing exploration of identity and family with a superb cast.
Paul Schrader’s latest, First Reformed, is an austere character study elevated by Ethan Hawke’s best performance to date.
Well here’s a documentary that’s more tense than many a thriller. Free Solo, not for the faint of heart, offers an astonishing look at rock climbing and Alex Honnold’s life.
I feel like, with these two talented actresses, and the two monumental historical figures they play, and the production value invested in this project, we should have got a more impactful movie than Mary, Queen of Scots turned out to be.