A deranged mix of crime and family drama, propped up by Mackay’s unblinking magnetism, fun and stylish when it’s at its best.
A deranged mix of crime and family drama, propped up by Mackay’s unblinking magnetism, fun and stylish when it’s at its best.
An endearing drama about friendship in hostile territory.
A tender study of compassion, marred by undefined characters and an absence of critical thinking.
Miss Juneteenth is a discreet, unassuming look at the small triumphs and tragedies that make up every person’s life, and the circumstances that end up shaping us, all in a mother’s dedication. It feels real and lived in.
After a slow beginning, Ford v Ferrari turns into a competent sports drama.
Werner Herzog’s latest is a peculiar dance between reality and fiction.
Driveways is not a movie for high drama or transcendental revelations, but it’s a touching slice of life built with naturalistic writing and performances.
Here is a thoughtful, peculiar story, about two friends and a house, and the deep ties between them.
How rare a pleasure, to see a director so confidently in command of his craft, with a cast so in sync with a common vision.
Shirley is an odd film, a study of repressed resentment more than a biopic, and it is all the more compelling because of it.