Paul Schrader’s latest, First Reformed, is an austere character study elevated by Ethan Hawke’s best performance to date.
Paul Schrader’s latest, First Reformed, is an austere character study elevated by Ethan Hawke’s best performance to date.
I feel like, with these two talented actresses, and the two monumental historical figures they play, and the production value invested in this project, we should have got a more impactful movie than Mary, Queen of Scots turned out to be.
Stunningly, achingly, rigidly, endlessly, irredeemably boring.
Steven Soderbergh’s second iPhone film is a nimble, dynamic con story, even if the topic of NBA negotiations can be obscure at times.
We have seen many films about addiction, but Beautiful Boy is really a film about fatherhood, about that desperate sensation of wanting to help a loved one and not knowing how.
Awash in warm bronze, yellow and dark green, every shot in If Beale Street Could Talk is a pleasure to watch.
What looked to be a measured pace turns out to be stagnation, as the central conflict fails to move beyond the surface.
It’s difficult to process such disparate experiences into one cohesive opinion or recommendation, but even at their worst the Coens are expert filmmakers.
You could be forgiven for not knowing that the town of Columbus, Indiana (population 44,000) is a small mecca of modern architecture, with dozens of remarkable buildings designed by renowned architects in the mid-20th century. […]
Sir is a movie that lives in the small realities of daily life, a sober study in kindness in the face of inequality.