A road movie that succeeds in building a compelling protagonist but falls short with his foil.
A road movie that succeeds in building a compelling protagonist but falls short with his foil.
A harrowing denunciation of homophobia and violence in the army, too impersonal to fully land.
An interesting looks at the makings of classic TV comedy, marred by miscasts and an oddly dour mood.
Paul Schared is back with a film at once aesthetically austere and emotionally fraught.
for a blockbuster that could have been exploitative, or a cashgrab, or dull, Lana Wachowski made one that turned out to be, of all things, interesting, full of questions and choices that I am still mulling over in my head.
A coming of age summer in 1980s Naples, which works better as a slice of life comedy than as a drama.
While not free from Marvel burdens like muddy CGI or setups for other films, No Way Home is everything I wanted it to be and does justice to the Spider-Man films that came before it.
I was absorbed by each of these three languid, dialogue-driven stories of romance and regret.
Some thematic inconsistencies mar an otherwise competent character drama.
A wonder of beauty and sentiment, also an emotional thriller that at times borders on psychological horror.