Brie Larson brought about a whimsical comedy for her directorial debut, and while the overall product is irregular it has its delights.
Brie Larson brought about a whimsical comedy for her directorial debut, and while the overall product is irregular it has its delights.
The less you know about Us, the better; trust that it is terrifying and brilliant, go, and suffer well.
Xavier Dolan’s first English-language film is an intriguing exploration of identity and family with a superb cast.
Paul Schrader’s latest, First Reformed, is an austere character study elevated by Ethan Hawke’s best performance to date.
Well here’s a documentary that’s more tense than many a thriller. Free Solo, not for the faint of heart, offers an astonishing look at rock climbing and Alex Honnold’s life.
I feel like, with these two talented actresses, and the two monumental historical figures they play, and the production value invested in this project, we should have got a more impactful movie than Mary, Queen of Scots turned out to be.
Captain Marvel is a tremendously fun, inventive superhero movie, anchored in Brie Larson’s charisma.
Destroyer is rough around the edges, but Nicole Kidman’s anguished performance is truly astounding.
Stunningly, achingly, rigidly, endlessly, irredeemably boring.
Steven Soderbergh’s second iPhone film is a nimble, dynamic con story, even if the topic of NBA negotiations can be obscure at times.