Thunder Road is heartbreaking in all the best ways, it is brutally honest, and it is compassionate. It is a frontal attack on the ideal of masculinity that doesn’t leave any room for vulnerability. It is a hand held out to those who are hurting.
The Lady Eve (1941)
The Lady Eve never gets old, it never loses steam, it never misses a beat. It is the perfect comedy, one that proves that you can indeed have it all.
Free Fire (2017)
What’s the word for the feeling when you know something’s about to go wrong, and then it does, but then it gets way worse? Free Fire relishes it.
Mute (2018)
All right, so this one wasn’t for me. Mute is a jumbled mess, Neflix’s box of tangled cords.
Burning (2018)
The very first scenes of Burning seem to set the course for a conventional love story, only to pull the rug from under our feet afterwards.
The Tale of Princess Kaguya (2013)
To see even the shortest scene in The Tale of Princess Kaguya is to be entranced by it. It is rare to find such sheer beauty in a film, no pretense of realism sought, every shot conceived as a painting that alone could tell a story.
BlacKkKlansman (2018)
This is it: this is a movie that has it all. BlacKkKlansman is funny, entertaining, and stylish, but also angry, poignant, and righteous. It is an accomplishment in cinematic form, and also in content.
Beatriz at Dinner (2017)
I really wanted to like Beatriz at Dinner. It has the elements of the exact kind of movie that I relish: a cast of talented actors, a simple premise that allows them to interact with each other, a concept based on character and dialogue.
Gifted (2017)
Gifted is a small pearl of a movie, a heartwarming and intimate tale of family and upbringing.
Like Father (2018)
If Netflix wants to kick off a genre where two brilliant comic actors play parent and child on location, they can count me in.
The Film Tower 