Sofia Coppola’s best work since Lost in Translation is an expertly written comedy, featuring masterful work by Bill Murray.
The Trial of the Chicago 7 (2020) – Movie Review
Pure Sorkin, for better and for worse, The Trial of the Chicago 7 is a solid, old-fashioned courtroom drama.
Lingua Franca (2020) – Movie Review
A delicate, if at times cold, character-driven tale of hardship and acceptance.
Unpregnant (2020) – Movie Review
A fun, if imperfect, mishmash of comedy subgenres driven by a charismatic duo of rebellious teenage girls.
The Surrogate (2020) – Movie Review
A rich, deep intellectual exercise, The Surrogate explores questions with no easy answers, and clocking in at a brisk 90 minutes, it doesn’t belabor its points or overstay its welcome.
The Boys in the Band (2020) – Movie Review
There’s something here for you if you love dialogue-heavy dramas, but this play doesn’t quite click.
Enola Holmes (2020) – Movie Review
Enola Holmes, aimed squarely at a teenage audience, plays fast and loose with the Sherlock canon but is entertaining enough as an action/adventure movie.
Babyteeth (2020) – Movie Review
Babyteeth is messy, it does not tie loose ends, and it is not concerned with finding silver linings under its dark clouds. But there is compelling drama in that.
Tenet (2020) – Movie Review
Tenet is a fine action thriller, but it gets lost in the intricacies of its plot and becomes emotionless as a result.
The Devil All the Time (2020) – Movie Review
As tense as it is atmospheric, The Devil All the Time offers inspired performances from Tom Holland and Robert Pattinson.
The Film Tower 