Other directors would have made this story flashier, more sensational, but Marielle Heller correctly chose a more level-headed and introspective approach.
Other directors would have made this story flashier, more sensational, but Marielle Heller correctly chose a more level-headed and introspective approach.
Boy Erased succeeds in using one person’s story to shed light on a large reality, and takes the chance to explore notions of identity, family and acceptance.
Brie Larson brought about a whimsical comedy for her directorial debut, and while the overall product is irregular it has its delights.
The less you know about Us, the better; trust that it is terrifying and brilliant, go, and suffer well.
Xavier Dolan’s first English-language film is an intriguing exploration of identity and family with a superb cast.
Paul Schrader’s latest, First Reformed, is an austere character study elevated by Ethan Hawke’s best performance to date.
Well here’s a documentary that’s more tense than many a thriller. Free Solo, not for the faint of heart, offers an astonishing look at rock climbing and Alex Honnold’s life.
I feel like, with these two talented actresses, and the two monumental historical figures they play, and the production value invested in this project, we should have got a more impactful movie than Mary, Queen of Scots turned out to be.
Captain Marvel is a tremendously fun, inventive superhero movie, anchored in Brie Larson’s charisma.
Destroyer is rough around the edges, but Nicole Kidman’s anguished performance is truly astounding.