A competent studio thriller of the kind that Hollywood has largely abandoned.
Author: Martin Towers
The Beta Test (2021) – Movie Review
The Beta Test is as entertaining in its comedy as it is savage in its satire.
Kate (2021) – Movie Review
There may be nothing surprising about Kate, but the action is thrilling enough for a fun afternoon watch.
Blue Bayou (2021) – Movie Review
With so much to criticize in real life, it is baffling that Blue Bayou spends more time in soapy melodrama than in a timely, specific denunciation whose foundations are certainly all right there.
Dune (2021) – Movie Review
In our current landscape, you will not easily find another science-fiction/fantasy epic with such a firm voice, such a maximalist visual identity, or such a portentous tone.
No Sudden Move (2021) – Movie review
Soderbergh is back in familiar territory with a fun, twisty caper that never loses steam.
Shang-Chi (2021) – Movie Review
Shang-Chi breathes life into the MCU by centering family drama over cosmic lore and real action over CGI.
Reminiscence (2021) – Movie Review
Fans of film noir will want to see what Reminiscence has to offer, but its allure is surface level. The aesthetic and world-building, as compelling as they are, do not make up for unmemorable plot, characters and dialogue.
Drive My Car (2021) – Movie Review
I come to you with the rarest of findings: a three-hour movie that knows what to do with its time.
CODA (2021) – Movie Review
A rich and nuanced study of familial duty, class and disability, with coming-of-age tropes to spare.
The Film Tower 