The Souvenir is a different kind of love story: a look at a toxic relationship, how they happen, and why people stay in them despite a million obvious reasons not to.
The Souvenir is a different kind of love story: a look at a toxic relationship, how they happen, and why people stay in them despite a million obvious reasons not to.
Here’s a story about being foreign, especially about being foreign in your own family. The Farewell is a sharp but grounded observant of the family dynamics in the face of tragedy.
What elevates 1917, to me, is that in the middle of all the action, it is a touchingly human film.
Her Smell left me completely exhausted and more than a little dazed, but Elisabeth Moss’ work in this film is colossal.
Part thriller, part drama, part comedy, Hustlers is an exhilarating ode to powerful, sharp, and, yes, ruthless women who blaze their way through a landscape that only sees them as objects to lust after and then discard.
Although the character of the arrogant, self-centered movie star is a worn archetype, the mother-daugher relationship in The Truth does not feel like a cliché.
Anthony Hopkins and Jonathan Pryce both give a master class in acting in The Two Popes, which loses steam in its second half but is nonetheless an absorbing discussion.
Greta Gerwig has given new life and a sense of urgency to Little Women, making it feel timely and timeless.
The Rise of Skywalker walks back The Last Jedi by returning time and again to tropes and formulas. I wanted more.
Although a bit too biopic-y at first, Dolemite is my Name finds its footing thanks in no small part to Eddie Murphy’s tremendous energy.