This leisurely walk towards the end times is not without its charms, but as the thin plot nears the end it becomes apparent that there’s no conclusion in reach, no final destination.
Gloria Bell (2019) – Movie Review
Julianne Moore is phenomenal in a subtle and grounded role, a tender and lived-in story of a woman in search of more.
Vox Lux (2018) – Movie Review
Natalie Portman delivers a great performance as a volatile pop star in Vox Lux.
Synonymes (2019) – Movie Review
Synonymes is an interesting look at Parisian life through the eyes of a charismatic protagonist, but it loses its way towards the end.
Avengers: Endgame (2019) – Movie Review
This, too, is what we go to the movies for: to be awed, to be shocked, to be engrossed by stories of space travel and insurmountable odds and valiant heroes. In that regard, Endgame really is something else.
Can You Ever Forgive Me? (2018) – Movie Review
Other directors would have made this story flashier, more sensational, but Marielle Heller correctly chose a more level-headed and introspective approach.
Boy Erased (2018) – Movie Review
Boy Erased succeeds in using one person’s story to shed light on a large reality, and takes the chance to explore notions of identity, family and acceptance.
Unicorn Store (2019) – Movie Review
Brie Larson brought about a whimsical comedy for her directorial debut, and while the overall product is irregular it has its delights.
Us (2019) – Movie Review
The less you know about Us, the better; trust that it is terrifying and brilliant, go, and suffer well.
The Death and Life of John F. Donovan (2019) – Movie Review
Xavier Dolan’s first English-language film is an intriguing exploration of identity and family with a superb cast.
The Film Tower 